P: Despite the current increase in information about art via the Internet and other media, knowledge still depends a lot on meeting people. I see exhibitions as a result of dialogues, where the curator functions in the ideal case as a catalyst.
R: The problem is that information can be retrieved via the Internet, but you have to go to the site in question in order to see if there is something behind it, whether the material has enough presence to survive. The best work is always the least reproducible. So you speed from one studio to the next, from one original to another, hoping that some day it will all come together in an organism called an exhibition.